So you've mixed your latest production and it's time to master it? While mastering engineers are often the best option, if you want to master your own tracks in FL Studio here's 8 essential tips.
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- In addition to these audio containers, there’s also sample rate, which these export settings on FL Studio do not show you (I’ll show you an image in a moment where you can find it.) But again, a.WAV file @ 16-Bit 44.1kHz is CD Quality, and what I use to upload my music for online distribution.
Apr 14, 2017 What are the best FL studio rendering exporting settings to maintain audio quality? I've seen mutiple videos suggest that Wav files are better for music quality because it's less compression compared to Mp3s, however there seems to be a huge difference for the proper setting in the rendering process to maintain a higher quality similar to the quality that is displayed whenever your creating. How to export in FL Studio: Open the export dialog by selecting File Export Wave File or by using the key command ⌘R on Mac or CTL+R on Windows. Select the export file destination. Make sure your settings are correct for mastering. Click “Start” to begin bouncing. Bounce Better. Bounce often.
1—Cut Your Lows for Headroom
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Try adding a low cut and cut everything below 40 Hz. This cuts out any inaudible frequencies that the human ear can’t hear and take up valuable headroom in the mix. So add a Fruity Parametric EQ 2 and then apply a low cut.
2—Use a Multiband Compressor
You have two multiband compressor options in FL Studio. The Fruity Multiband Compressor, or Maximus. I would recommend using Maximus as its features are more advanced. How Maximus works is that you have three bands (Low, Mid, High) where you can set the frequency range for each, and then also a single band master compressor on the effect. This gives you added control over your audio through the frequency range, plus you can gel the bands together with the single band master compressor.
For example, you could apply a heavier compression setting over the 0–200 Hz region where you bass and kick usually sit, and this won’t affect elements in the higher registers like the cymbals and hats. So decide where you want the band splits to be by soloing each band and then moving over to the right view to adjust the frequency amount.
And then you can see the result of the compression on each band by switching to the monitor view. So tailor the amount of gain for each band, plus the Attack and release times. What I find really cool is that you can even draw in unique threshold curves in the graph. It’s actually very easy setting the threshold this way on the graph.
I like to apply a harder compression on the Low band and increase this slightly. Then I apply slightly less compression to the Mid band. And then for the High band, I don't apply compression, just gain for a bit more high-end detail in the track.
With the Master band, you use this as a single band compressor to gel all the bands together. Neo geo bios for mame. Just apply a subtle compression here to help even out the compression on the track.
3—Adding in Saturation
With Maximus, you can also add in some slight saturation per band, also known as harmonic exciting. With the threshold, you have two modes: Mode A or Mode B: and you can choose what percentage of the mode you want to add by moving the dial left or right from the center. With the ceiling dial, when you start decreasing this you’ll hear it imparts the saturation on the band.
4—How About Another EQ
After the multiband compression, you might want to make some EQ adjustments. If so, then add another Fruity Parametric EQ2. I sometimes find a slightly high EQ boost can help bring back some of the high-end detail that got removed through the compression. But this isn’t always necessary. So only use this if you find you need to do some EQ adjustments after the compression.
5—Some Reverb
Original gameboy flash cart. What also helps to gel the elements together and give your track a sense of a space that it belongs in is to add some reverb. You can either use the algorithmic Fruity Reeverb2, or the convolution Fruity Convolver reverb if you want to use a real space. Less is more here. Too much and the song will become muddy. So drop the Wet dial to about 10% or less.
6—Hard Limiter
The last effect to add to your mastering chain is the Fruity Limiter. This will maximize the perceived volume of the whole mix, plus help prevent any clipping on your master output. Set the output to -0.1dB to stop it from going over 0 dB, and then increase the Gain to maximize the overall perceived level of your song.
7—Mixer States
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What’s great about FL Studio is that you can save different Mixer states, and re-use them in other songs. So, for example, let’s say you’re mixing a whole album and want to apply the same mastering settings across the album, then you can use this technique. What you do is you go to the drop-down arrow on the top left of the Mixer window, then go to File > Open > Save Mixer State as…
Bookends serial number mac. Then when you go to a different song, you can navigate to the same menu and choose open Mixer state. This loads your master output state to the new song. You can also drag and drop these presets from the browser onto the master output channel.
8—Dither and Export
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When you’re happy with your mastering, make sure to apply dither to your exported song Go to File > Export. Choose your format. Probably the best is to choose a lossless format such as WAV. Then give the file a name and click save. A Rendering dialog box will launch. Expand the quality section, and make sure to enable Dithering and HQ (High Quality) for all plugins to get the best audio results.
Conclusion
Those are a few handy techniques to use to get the best out of mastering your songs in FL Studio. Try them out in your next mastering sessions.
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1. Pattern Selector | |
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1.9 | Select Patterns 1.9 |
+ | Next Pattern |
- | Previous Pattern |
Right Arrow | Next Pattern |
F4 | Next Empty Pattern |
Left Arrow | Previous Pattern |
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2. Channel Window and Step Sequencer | |
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0.9 | Mute/Unmute first 10 channels |
Ctrl+0.9 | Solo/Unsolo first 10 channels |
Up Arrow | Select Previous Channel |
Down Arrow | Select Next channel |
Alt+G | Group Selected Channel |
Ctrl+Del | Delete selected channel |
Alt+Z | Zip Selected Channel |
Alt+Up Arrow | Move Selected channel Up |
Alt+Down Arrow | Move Selected channel Down |
PgUp | Next Channel Group |
PgDn | Previous Channel Group |
Ctrl+X | Cut step/score |
Ctrl+C | Copy Step/Score |
Ctrl+V | Paste Step/Score |
Ctrl+Shift+C | Clone channels |
Shift+left Arrow | Shift Steps left |
Shift+Right Arrow | Shift Steps Right |
Alt+R | Randomize |
Alt+P | Send to Piano Roll |
Alt+C | Color selected channel |
Ctrl+Alt+C | Gradient Color Selected Channels |
K | Show Keyboard editor |
G | Show Graph Editor |
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3. Record/Playback/Transport | |
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L | Switch Song/Pattern Mode |
R | Switch On/Off Recording |
NumPad 0 | Fast forward |
NumPad / | Previous Bar |
NumPad * | Next Bar |
Bkspace | Toggle line/none snap |
Spacebar | Start/Stop Playback |
Ctrl+E | Toggle Step Edit Mode |
Ctrl+H | Step Sound |
Ctrl+T | Toggle Typing keypad to Piano Key |
Ctrl+B | Toggle Blend Notes |
Ctrl+P | Toggle Recording Metronome Precount |
Ctrl+I | Toggle Wait for input to start recording |
Ctrl+Shift+M | Toggle Metronome |
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4. Navigation Shortcuts | |
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Tab | Cycle Nested Windows |
Enter | Toggle Max/Min Playlist |
Esc | Close a window |
F1 | Help |
F5 | Toggle Playlist |
F6 | Toggle Step Sequencer |
F7 | Toggle Piano roll |
F8 | Toggle Sample Browser |
F10 | Toggle MIDI Settings |
F11 | Toggle Song Info window |
F12 | Close All Windows |
Ctrl+Shift+H | Arrange Windows |
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5. Mixer | |
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Alt+Left Arrow | Move track to left |
Alt+Right Arrow | Move track to Right |
Alt+L | Select channels linked to selected mixer track |
Ctrl+L | Link selected channels to selected mixer |
Shift+Ctrl+L | Link Selected Channels starting from selected mixer track |
F2 | Rename Track |
S | Solo Current track |
Alt+R | Render armed tracks to WAV |
Alt+S | Change Solo -Activate current track and all tracks routed to/from it |
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6. Piano Roll | |
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Alt+C | Change color of selected notes |
Ctrl+A | Select all |
Ctrl+M | Import MIDI File |
Alt+B | View Note Helpers |
Alt+Q | Quantize |
Ctrl+Q | Quick Quantize |
Shift+Left Click | Drag to clone selected notes |
Alt+V | Switch Ghost channels on/off |
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7. Playlist | |
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Shift+Ctrl+Del | Delete selected pattern |
Shift+Ctrl+C | Clone selected pattern |
Shift+Ctrl+Insert | Insert Pattern |
Alt+C | Color Selected |
Alt+G | Grid color |
Alt+P | Edit selected pattern to piano roll |
0 | Center playback to playing position |
Alt+/+* | Jump to Next Song maker |
Ctrl+Alt+/+* | Jump to Previous Song maker |
Alt+F | Clips Flat display |
Ctrl+Alt+F | Clips Glass Effect |
Alt+Up Arrow | Move selected pattern Up |
Alt+Down Arrow | Move selected pattern Down |
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